Post by legios on Nov 18, 2007 21:13:01 GMT
Well, after some favourable comments from several sources, and reading a couple of the books in the tretralogy it draws from I finally got around to watching this.
Horror/Urban Fantasy isn't normally my genre, but I was favourably impressed with this. The direction and production design is very good, giving the film a feel very distinct to western films in the genre. It is a very atmospheric production, which conveyed a very strong sense of place - the fact that it is set in post-communist russia is very much a part of giving it a very distinctive sensibility. The idea of a bureacratic system of oversight for light and dark supernatural beings is one that somehow seems to fit the post-soviet russia well -perhaps better than it fits a western setting in some ways. (Although it is played down a little bit in the film compared with the source material - in the novella there is a bit more back and forth about "if we do this then they have the right to do something up to this power level at some future date")
I did like the way that they realised some of the concepts from the books that aren't immediately cinematic - the "Gloom" dimension was somewhat different from the description of the "twilight" (as the translation of the book has it) but was visually very effective and keep the important characteristics.
The cast for the film are pretty good too - with several of them (including the lead) pretty much nailing the characters. Admitttedly I don't speak Russian, but in terms of body-language, tone and manner I think everyone was doing a pretty good job.
Having come to the film having read the novella on which it was based I was pleasently surprised by how much of the original story actually made it to the screen. There were changes of course - some larger than others, and in some cases (such as giving Anton a more personal link to the story) they were definitely changes for the better. On the other hand I do regret slighty that they top-sliced a layer of deception and skullduggery off the story - mostly because it meant a couple of characters had less to do than they might otherwise have had. However, it was probably a wise decision in story-telling terms - the original novella's plot is sufficiently twisted that in terms of making it filmable it probably benefited from some straightening out. (I do miss a lot of the excised material with Olga and Anton though - mostly because it weakens Olga as a character somewhat . But, as the sequel apparently draws heavily on the remaining two-thirds of the book "Night Watch" it's possible that this material will resurface there).
They've "punched up" the ending a bit for the film as well - the novella's ending is a little bit lower-key, but for a movie adaption it may make sense to bring the action-quotient up a bit.
All in all, a very good film - well directed, atmospheric and well-played, with a nice line in moral ambiguity (the Light may be "good" but that doesn't always mean they are "nice", and the Dark may be "evil" but they are far from ranting maniacs). Very good film - worth a watch. Better watched in the original language if possible, but if subtitles aren't your thing then the dub is still worth giving a go.
Karl
Horror/Urban Fantasy isn't normally my genre, but I was favourably impressed with this. The direction and production design is very good, giving the film a feel very distinct to western films in the genre. It is a very atmospheric production, which conveyed a very strong sense of place - the fact that it is set in post-communist russia is very much a part of giving it a very distinctive sensibility. The idea of a bureacratic system of oversight for light and dark supernatural beings is one that somehow seems to fit the post-soviet russia well -perhaps better than it fits a western setting in some ways. (Although it is played down a little bit in the film compared with the source material - in the novella there is a bit more back and forth about "if we do this then they have the right to do something up to this power level at some future date")
I did like the way that they realised some of the concepts from the books that aren't immediately cinematic - the "Gloom" dimension was somewhat different from the description of the "twilight" (as the translation of the book has it) but was visually very effective and keep the important characteristics.
The cast for the film are pretty good too - with several of them (including the lead) pretty much nailing the characters. Admitttedly I don't speak Russian, but in terms of body-language, tone and manner I think everyone was doing a pretty good job.
Having come to the film having read the novella on which it was based I was pleasently surprised by how much of the original story actually made it to the screen. There were changes of course - some larger than others, and in some cases (such as giving Anton a more personal link to the story) they were definitely changes for the better. On the other hand I do regret slighty that they top-sliced a layer of deception and skullduggery off the story - mostly because it meant a couple of characters had less to do than they might otherwise have had. However, it was probably a wise decision in story-telling terms - the original novella's plot is sufficiently twisted that in terms of making it filmable it probably benefited from some straightening out. (I do miss a lot of the excised material with Olga and Anton though - mostly because it weakens Olga as a character somewhat . But, as the sequel apparently draws heavily on the remaining two-thirds of the book "Night Watch" it's possible that this material will resurface there).
They've "punched up" the ending a bit for the film as well - the novella's ending is a little bit lower-key, but for a movie adaption it may make sense to bring the action-quotient up a bit.
All in all, a very good film - well directed, atmospheric and well-played, with a nice line in moral ambiguity (the Light may be "good" but that doesn't always mean they are "nice", and the Dark may be "evil" but they are far from ranting maniacs). Very good film - worth a watch. Better watched in the original language if possible, but if subtitles aren't your thing then the dub is still worth giving a go.
Karl