Post by Grand Moff Muffin on Aug 3, 2009 6:30:10 GMT
I've had a very good week for stories.
Firstly, when I was at my folks in Bristol last weekend I rummaged through a large collection of free-films-on-DVD-given-away-with-newspapers that they've managed to amass. I watched one of them (the old b/w silent sci-fi 'Metropolis', which was OK) while there, but brought away with me Gerard Depardieu's 1990 film 'Cyrano de Bergerac' (French with English subtitles) and watched it during the week, and it blew my socks off. I've seen many period sword-wielding swashbuckling romantic heroes on film in my time, but never realised how the archetype is suddenly transformed into a top-notch character when you give him a big nose and a gift for insulting his enemy in the form of improvised verse whilst engaged in mortal combat.
Secondly, I'm just finishing off a 480-page volume of Russian fairy tales, which are just wonderful. Afanasev's stories have many roots in common with the Brothers Grimm and the Arabian Nights (so many begin with three brothers, or three sisters, or a cruel step-mother, or a simpleton who goes to seek his fortune, and go on to introduce a supernatural guide, treachery, a quest and the winning of a hand in marriage), but with a very distinctive Russian flavour. For example, whatever the story might be, if the hero or heroine ends up wandering in a forest you just know they are going to come to a clearing with a hut turning round and round on chicken legs, in which lives the big-nosed witch Baba Yaga who rides around in a mortar, driving it with a pestle and sweeping up her traces with a broom - though sometimes she is benign and sometimes evil. And the stories often end in a certain way, with a character falling asleep after a good meal and the narrator telling us that the story will continue when they awaken but is over for the time being. Or telling us, "I was there at the marriage feast - I drank wine and mead - it ran down my moustache and beard but none of it went in my mouth."
Finally, Saturday was lunchtime live storytelling at the Wales Millennium Centre, with Giles Abbott, one of the best professional storytellers I've seen (and I've had the pleasure of seeing a great many of them, and him more than once). He told three stories. The second of the three, concerning courage, particularly tickled me, and I'll re-tell it for you guys here if you like.
Martin
Firstly, when I was at my folks in Bristol last weekend I rummaged through a large collection of free-films-on-DVD-given-away-with-newspapers that they've managed to amass. I watched one of them (the old b/w silent sci-fi 'Metropolis', which was OK) while there, but brought away with me Gerard Depardieu's 1990 film 'Cyrano de Bergerac' (French with English subtitles) and watched it during the week, and it blew my socks off. I've seen many period sword-wielding swashbuckling romantic heroes on film in my time, but never realised how the archetype is suddenly transformed into a top-notch character when you give him a big nose and a gift for insulting his enemy in the form of improvised verse whilst engaged in mortal combat.
Secondly, I'm just finishing off a 480-page volume of Russian fairy tales, which are just wonderful. Afanasev's stories have many roots in common with the Brothers Grimm and the Arabian Nights (so many begin with three brothers, or three sisters, or a cruel step-mother, or a simpleton who goes to seek his fortune, and go on to introduce a supernatural guide, treachery, a quest and the winning of a hand in marriage), but with a very distinctive Russian flavour. For example, whatever the story might be, if the hero or heroine ends up wandering in a forest you just know they are going to come to a clearing with a hut turning round and round on chicken legs, in which lives the big-nosed witch Baba Yaga who rides around in a mortar, driving it with a pestle and sweeping up her traces with a broom - though sometimes she is benign and sometimes evil. And the stories often end in a certain way, with a character falling asleep after a good meal and the narrator telling us that the story will continue when they awaken but is over for the time being. Or telling us, "I was there at the marriage feast - I drank wine and mead - it ran down my moustache and beard but none of it went in my mouth."
Finally, Saturday was lunchtime live storytelling at the Wales Millennium Centre, with Giles Abbott, one of the best professional storytellers I've seen (and I've had the pleasure of seeing a great many of them, and him more than once). He told three stories. The second of the three, concerning courage, particularly tickled me, and I'll re-tell it for you guys here if you like.
Martin